Monday, March 14, 2016

Punny Packaging

A method you'd perhaps call it, of relatable funny and praised design is to use puns as the names or art direction for packaging or branding.

I have always seen these and been like, ahaaa clever! But until graphic design became part of my life at University, I didn't praise it as deeply as I do now as an inspiration. Having done a project similar in my graphics class at college, I realised very quickly this can be a brilliant way to come up with ideas if stuck on names! Down to earth, quirky, memorable and fun. My kind of design inspo!

Ben and Jerrys


Delicious design and fun packaging that has the famous brand and layout consistent, but having light hearted illustrative colour popping worlds related to the flavours in the ground of the titles.

Soap and Glory

I feel like the people who design these are ones I would love to work with. Very girly, retro inspired clever plays on sayings, I think the packaging and advertisements are outstanding and I enjoy having the products laying around my flat because they look that good and are very me! From seeing my self branding this is easy to see, and shows girly can be successful and appreciated by all when done right.





Br:eak and The Brunswick exhibitions

Although very useful to go and visit, which I need to start doing again, these exhibitions weren't what I was expecting.







 Although a very interesting location in an old warehouse kind of place, due to it being so big, the small amount of attendees was evermore obvious and the main bar room I feel could have been used to much better to display work rather than having them in the other room and just having a tiny vintage stall in the space (sorry I lost the photos). I think it is a weekly/monthly chance for students or upcoming professionals to showcase their work which is so reassuring and great to know, that there is that opportunity out there.





Although I really loved the work and thought it was a fantastic way to promote their artistry and to sell zines/stickers/posters etc, the small layout made it so hard to navigate and it got full very quickly making people feel awkward just looking and not buying (perhaps a tactic eh) I especially loved the illustrations in that last photo. I am such a fan of pun humour in art...

Rebecca Smeyne and 'Age Of The Thing'

http://www.itsnicethat.com/articles/rebecca-smeyne-invite-only-140316

A photographer I discovered through 'It's Nice That', I feel she really captures an essence of the atmosphere and joy I want to allude through my self brandings celebratory dazzling essence.








In future it is possible I could put on an event if I become confident enough, and photograph in this style. I want my style of design to be placed in celebratory surroundings and make people talk which events/parties do, and makes people want to attend even if they aren't overly interested in graphic design. I feel this is one of the best ways to get your name heard and work noticed and remembered, and this reinforces why my self branding was produced as a party invitation and posters. Through the power of social media, happenings like these portrayed in Smeynes lively style entice people to want to know more, and her style inspired my photoshoot of my work.


I became extremely sure of my party invite theme especially after attending an exhibition photographed similarly of Smeynes style, curated by a fellow first year LCA student, named 'The Age of The Thing' by Hollie Grace Saint-Clarke, a fine art student. Invites sent out over Facebook on the event weeks before to ensure people saved the date, and her displaying of artwork became more of a party/experience. This was due to her amazing decorating of the room, entertainment, themed music and video compilation she put together. I had never been to an exhibition like it and as you can see from the photographs, the atmosphere she created in one room, due to the over the top glittering and lighting of the room, made it other worldly. Me and friends were actually buzzing coming out of the exhibition, taking glitter tassels from the exhibition itself which everybody had been dancing with all night. This feature was unintentionally interactive but because of the buzz of everybody in the room and the flamboyant music and style of the exhibit this happened naturally.

It was a completely unique experience successful due to its planning/curating and design transporting us all to another glamorous glittery drag world for an evening! I would want to be seen as an artist that gives this thrilling and invigorating feeling to people. Photography like this makes me happy seeing others in the moment having an amazing time and is one of my favourite inspirations and influences to be part of making the moments. This reinforces the impact the way work is presented is so important and makes all the difference.








My self-confidence really needs to go above and beyond submitting my work and posting it on Instagram I feel, to really succeed in this module at University. I need to let go of past events not going as planned and just try, otherwise I'll never know. This is really hard for me but hopefully I will overcome it, as I am here to grow and develop as a person as well as a designer.


Looking back on first year

Looking back at the study task 'Why Am I Here?' little has changed I'd say, including
-still in fear of presenting myself and my work
-I still want to take risks and push myself, by asking questions and getting in contact with designers
-wanting to be a positive influence on others
-not going with my first idea but coming up with distinct range

However from experience through the months, i have learnt
-knowing how to use adobe software isn't as crucial as sketches, concepts, ideas…
-my inspirations are mostly from my peers and Instagram which has grown due to following any profile with inspirational designs, and has become a huge part of my development in which I have began a design instagram (@hannahlouisecreations)

One of the main points through PPP that really has enriched my life is when it was stressed any sort of art can be inspiration for our graphic design, and to follow any artists or blogs that interest us both for our work and personal. This made the link between work and just enjoying aesthetics of a creation wether it be a film or blog post, fade a little, and I find myself seeing a lot of work i am creating as something more enjoyable and not a burden or task that needs to be done for uni. I want to shape this experience to make my future in the creative industry something I am commercially/financially successful in, but also enjoy doing and have passion for, as being happy and feeling I enjoy my work is the most crucial life goal of all and why I have started this journey here.  



Sunday, March 13, 2016

Self Branding Evaluation

After so much confusion and swapping of ideas, and a few mistakes along the way, I feel my self branding outcome has a strong style to it which I wouldn't want to be any different. I feel it gives off my feminine flamboyant style with hints of retro and bold colour, and a touch of glitz which all relate back to my style as a designer.

 Feedback was extremely beneficial in this brief as one of my biggest downfalls I'd say is defining who I am as a person and designer. I find it hard identifying these, and would say I'm quite an unsure person about how to represent and present myself through graphic design and presentation. Getting the amazing positive feedback that consistently was that I was a warm positive person who they'd visualize as a glitter bomb really delighted me and helped me start to see which way I could go with my self branding conceptually, being more than just a business card and logo.

I pondered on my ideas too long I think, which lead to confusion of the delivery of my branding and the concept behind it. I began with thinking of the things I loved the most such as when a pizza arrives, as that was the feeling I wanted to give the client I'd want to work with. This soon became an uproaring issue amongst peers that if I didn't actually send pizza, the client would be disheartened as would I. Then, a cake. Everybody loves cake: 'The Icing on Top' I thought. The finishing touch that makes a cake delicious. From that, I thought, me as a finishing touch to any big idea, or the client to mine. Party theme. Amazing, I thought; everyone loves being invited to a party! And people who know me know I love trying to make people have fun at parties. There, my concept was born. It excited me and fitted so well. The glitter, the pink, the variation of the concepts uses. I finally felt it made sense.

I focused primarily on my names concept and the shades of pink that best represented me and the typeface. The outcomes of these were finalized by accepting what I liked the most, not trying to make it fit perfectly with the idea of cherries or party invites- and it still worked. At the end of the day, this is your self branding and it needs to be for you and not to suit everyone else. Ofcourse, I want it to be enjoyed and admired by others, but being a louder design would attract those I'd want to work with anyway. Due to its strong look, this is the kind of design that would be likely to be stuck up which is why I made posters along with my party invites. I wanted them to be positive, distinctive and exciting which is how I want to be as a person.

Ideas I had planned, such as polaroids of my inspirations/collectives inspirations and to have a very professional shoot with party rings and to possibly make a cake with parts of me which I had sketched in feedback sessions, and a special exclusive envelope for my invites, were all ideas I still love but unfortunately did not have the amount of time to make. This is entirely my fault, and I have learnt this module is so important for myself and how I want to represent myself, and I should have spent more time on it. Although I am disappointed in myself, this is a start to something that could be a lot bigger. This could in future become a party with cakes and polaroids and party rings. That is what is exciting and as a personal and professional practice, I am on the right track for my future. I am happy I can at least say that and feel the self branding does represent me, and others have said 'that is very you' which is a relief.

Ofcourse, it is not perfect and needs a lot more work. For example, I had predicted the printing would run very smoothly as I was not printing on any crazy stock, like I had planned to screenprint on glitter paper (which I then used as a backdrop for the photoshoot, which was a fun DIY shoot) which wouldn't have gone down well with the printers facilities as the glitter shed EVERYWHERE (ideal for the shoot though...). However, the stock I ordered 'Parlour Majestic' which had slight shimmer detail was actually a little textured and the inks didn't print in full which can't be seen from far away, but if upclose this is not ideal. This is a learning curve in when choosing stock, you have to consider how the texture will affect printing so through this I learnt something valuable. I also could have made stickers of my self branding or contacted fellow students or professionals and got them involved somehow, party related. The considerations of stock for my posters could have been thought out more and I have to consider how these would be sent. Although these would all fit in a standard envelope package they could be delivered in a more exciting way to match with my theme and the posters in the future could have a lot more added to them and be a lot bigger and done on typical poster stock and be rolled up. This is tricky to send but if they were handed out at an event, they would be extremely worthwhile as creatives love sticking art up and often seem to have posters/flyers up in their workspace. Despite these hickups these amendments are still possible in continuation of my self branding and I feel I have a great start which is satisfying to say.










One of my points in my presentation is that it's important for me to learn from modernists, from those who have a sharp professional look about their work. For example, my photoshoot was done on my bed using a lamp at different angles taken by my camera phone, but I tried to edit them to set the party atmosphere which I think was very succesful due to props! My work isn't always flawless and absoloutely perfect, but that gives me a purpose of being on this course; to mashup my more out there style with important considerations of representing it well and professionally, and I am being inspired by designs I see all around me day to day wether it be my style or not. It is a craft I am slowly but surely. With this brief my time management and confidence in myself let me down slightly but I am here to learn!

Saturday, March 5, 2016

Presentation fears and Kate Moross

One issue I will have to identify within my presentation is the fact, I actually really don't like doing presentations, in particular, about myself. I'd say i'm quite an easy going type of person who doesn't stress over making designs absolutely perfect and i'm actually very indecisive which can be a downfall at times.

Sometimes, in particular when stressed which I am not a lot thankfully, I find myself being annoyed at myself for not seemingly having my life plans sorted like a lot of my peers seem to. I feel I am not as passionate about certain styles of graphic design which seem to benefit a lot of others, or that I am not confident in speaking about myself because I am so unsure. It has been encouraged to make issues work as part of your identity in PPP, but it doesn't look great if I am not confident in presenting myself as in this creative industry, you really have to be. In presenting, I am not worried about the work I put together as I would not submit if I wasn't happy with it because what would the point be in that, but when I stand up in front of a group of people I physically feel like I am tripping over my words, feel I am struggling with my posture and often shake. I know this is a reaction that is natural and shows I care, but I feel this is an obstacle I can't really work on as it is my bodies reaction which I feel I cannot help, and really knocks my confidence. I feel this is a huge contrast between my work/personality, and professional presenting of it.

Despite these struggles, and knowing I just have to get on with it and pray for a miracle that my nerves go away over time, watching other presentations through Nicer Tuesdays was reassuring as there are different ways of presenting. The format of mine being lists showing a mix between general relatable things such as napping and judging bad typography, and about my aims/ambitions/strengths/weaknesses, it adds a less formal tone in which there is relatable humour. Adamant I want my tone of voice to be positive, calming and funny, this is why I arranged my presentation in this way. To create a relationship between me and the other student designers through adding habits of us first years but also putting across the tone of voice I wanted to show through my self branding brief. Exciting, positive, and something a bit different.

A talk in particular that inspired me and made me discover one of my new design idols is this talk by Kate Moross!
https://www.youtube.com/watch?time_continue=213&v=fQFo5tB8Jys

You can see her excitement and passion in what she is presenting and she isn't overly formal, and I relate a lot to her design work as she makes it fun which I find especially exciting about design and is why I chose to do it as a degree. The way she speaks of sweet packaging from when she was a kid having design that is reminiscent of which she enjoys collecting, and this being a subconscious inspiration basis for her strong vivid kaleidoscopic design style. What was quite different was how she unconventionally expressed her hate for the question of where her inspiration comes from, that this is a 'cheap' way of explaining work, and that all our influences are subconscious in which we often can't explain fully.

There are many ads I have seen and thought how amazing they are, and I didn't even know they were by her! This was so cool to discover! She approaches formalities in a different way and follows her passion of being bold and exciting. She also mainly works with a lot of musicians on creating a visual identity for their albums/music videos/shows which is something I'd be ridiculously excited to do as the link between music and art is one of my favourite creative collaborations.








History of Image Lecture

This further elaborated my knowledge of the power of visual communication.
Starting with the simplest of examples, carvings of French Caves described as symbols of power, higher gods, mystically and another important point, carvings/dabs of ones own mind in solitarity.

This is an interesting point and separates reasoning of why we have visual communication and what its for: for personal, self expressive reasons displaying emotions, thoughts, like a visual scream for attention on something to wonder about. Examples such as protest art, unidentifiable displays of the mind projected on paper, mysticality, to show the world something we think is important or beautiful, like the Mona Lisa may have been for.

The other side of art we often forget is that artists are paid to recreate an image changing its context completely, or for commercial uses. An interesting point was on how Banksys are street art/grafitti often mixing famous imagery with new to create a contemporary, political/social message such as the Mona Lisa with a gun. These are now literally being cut out the wall and being put back in to the galleries for the typically western, middle class white people to be in awe at.

Propoganda paintings fascinate me too such as the Russian soviet union examples, showing images can rewrite history in the way the artist has been commissioned to do and it often sticks, such as the typically 'British' ideal image.

One part that really took me a back was the Benetton ads; a clothing company using such raw socially impactful, controversial images. I hope their intention was to highlight these issues proudly using their company name, not to sell their clothing.

I really also enjoyed the ideas of the more strange works of art being the artist letting out parts of their subconscious out in a very primal way, which it all stems from in history. Extremely interesting things to consider and think about, and its good to know the arts intention before it becoming a favourite/something to use to backup work etc.

Modern Magazine Lecture

In this very new and exciting time of a post-digital era, designers from all over the world and in different sectors are having to rethink magazine culture and its presentation as what was predicted in the year 2000+ digital era, didn't happen. Magazines weren't all transferred successfully to iPads and they are not read this way. That is why this era is so interesting, designers are going against the set standards. Though still, online magazines are read for example by 300 million opposed to tens of thousands in actual print, but not just on iPads. Magazines/zines are being adapted for mobiles, which is probably the most used way to connect to the world. Everyone wants information as fast as possible.

This of course depends on your situation- if you are commuting, you may not want to read, but listen to podcasts and audios. If you want to get stuck in to a lot of reading, print draws the readers in whereas online articles rarely exceed 1000 words due to distraction, and immediacy expected from online.

Key points to take from this lecture, points made by many of the speakers:

-Modern compilations need depth to them, collaborations, tangents, range of interests to keep what you are reading new and personal to you and what you take from the words and images. Gourmand/Flaneur/Alpine Review

-Consider the effects of the platforms and its audience- audiences online may want more visual, quick information. Flaneur/Uncube?(online mag isn't readable on phones)

-Scewer Morphism. Why do things need to be made exactly as they originally are, adapted? Why not create a whole new concept specific for the platform

-Starting basic on a low budget can become bigger, if it is informed and reaching out to a hungry audience there are ways to involve these people and get funded. You are respected for keeping organic in what you are doing however. The Mushpit

-Create something new; don't conform to the norms of layout and composition. A great graphic design legend as an example is David Carson, praised for refreshing the ways designers can look at layout. Shortlist


Friday, March 4, 2016

Final Designs

Yet again I still felt an uncertainty with my colour scheme and if it was correct for me. I had taken the route of more cherry pinks which I eventually saw, even though more appropriate for the brand name, were too bold for my own self branding identity. Inspired by looking at one of my favourite shops I have seen on Instagram (https://www.instagram.com/TheCreamyStudio/) whilst finding creatives with similar aesthetics to what I love, I knew I needed to tone it down. Still pink which relates to the brand, my paler pink colour scheme adds ease to my designs whilst still looking exciting. Also, as the stock I am printing on has glitter tints within it I am so excited to print and see the result. Toning it down is the right way to go, and depending how I arrange and light the photoshoot features can be enhanced. This module has also prompted me to begin an Instagram for my art @hannahlouisecreations (thecherryontop has been sneakily already taken, sad times)



Logo/Stamp


Although I have made a logo, I feel my vectorising isn't as great as I'd want it to look and having a standard logo was not really one of my main focuses of my self branding. Personally, the brand cherry on top and its whole look is what I am really proud of an want to come through in my work and develop further through other works. This is why my logo isn't included in all of my printed outcomes.

Posters

I want the contrast of the handwrendered pink/more strong and professional look of Bebas Neue to show that to balance the two and work this way is one of my targets for the rest of University. Expresses I can work for the commercialised and corporate briefs but with a more unconventional style aswell.


I see this as my manifesto of my self branding. As my invite is made to entice another creative to work with me, collaboration had to be one of the mantras included and I feel this is a strong manifesto.